Trina, City Girls & Saucy Santana Leave a Mark on Florida A&M University’s Homecoming Show

Rap legend Trina surprised Florida A&M University students when she appeared on stage on Saturday night. Performances from headliners City Girls provided another distinct moment for the evening.

Florida A&M University’s Homecoming is a tremendous occasion in Tallahassee, Florida. Students and alumni alike spend an entire week basking in traditions, ceremonies, and more for their beloved school. 

One tradition that’s central to FAMU’s weeklong Homecoming celebration is the annual concert hosted at the Lawson Center on campus. On Saturday, nearly 3,000 fans were eagerly anticipating The City Girls and Saucy Santana. There was a high-octane energy that pulsed throughout the entire space – this mainly stemmed from the restless crowd. Preliminary acts including Kali, Eli Derby, Hit Em Up Rondo, Bobby Fishcale, and Seddy Hendrinx injected a bit of excitement into the concert. But, it was evident even during their performances that students were at the show to see the headliners. 

When you think of Southern female hip-hop, you would never be able to diminish the impact of Trina. Brought out by DJ Demp, a legend in the college town, she immediately began running through a few of her most successful singles. The crowd excitedly rapped along to her opener “Da Baddest Bitch.” “Pull Over,” “Fuck Boy” and her remix verse on Latto’s “B*tch From Da Souf” ensued. Her appearance was yet another burst of energy that added to the overall feel of the concert. For the moments she was on stage, it was almost as if the show belonged to Trina. Quincy, Florida’s Bobby Fishcale followed the Miami rap titan. 

A few acts later following appearances by Kali, Eli Derby, and more, Saucy Santana finally began his set. Fans screamed loudly and pushed through a barricade separating the crowd from the media pit to be right next to the stage. It was a bit before midnight when Santana began unleashing “Booty,” “Shisha,” “Walk Em Like A Dog,” “Walk” and more.

To see Saucy Santana on stage at a historically Black university, a space that’s known for rampant homophobia, transphobia, and sexism felt like watching a glass ceiling shatter. Similarly, hip-hop has been critiqued for dangerous, outdated perspectives, and this set proves Santana’s presence in the space is necessary, he’s a queer trailblazer with a commanding stage presence that’s undeniable. He’s also deserving of his moment due to the tremendous few years he’s had as he’s become more known amongst music fans.