Ava DuVernay Champions 'Straight Outta Compton,' Offers A Heartfelt Review
By now, many of you have had the opportunity to absorb and bask in the glory of F. Gary Gray's greatly-anticipated NWA biopic Straight Outta Compton, having dropped last Friday with a dominating box office performance. And perhaps you caught our words on the film, but have you seen or heard Compton's reaction? Can you even imagine what it must be like to see your city's hometown heroes/hip-hop superheroes championed by the cinematic light? Director Ava DuVernay seems to have had precisely that experience, seeing a film that celebrates her city in her city, amongst a packed house of those that lived through the very riots, the very beatings, the very military-like police presence that plagued and continues to plague South Central. A surreal experience, I'm sure. One that's had her contemplating the female fandom of hip-hop and the legacy of the riots that are as infamous as the very subjects of the film. It's also an experience that moved her so deeply that she needed to vent and gush and praise the film on her Twitter account. And frankly, it's enough to make a grown man cry. Read Ava DuVernay's heartfelt and human account of Straight Outta Compton below and go experience the weight of the film for yourself at your very next chance.
\u201cInvested because many of them, like me, were there. Teens at the very time and in the very place depicted on screen. It had better be right.\u201d— Ava DuVernay (@Ava DuVernay) 1439741678
\u201cI saw the militarized Batterrams again. Rolling up our streets like invaders in a war. My friend asked, "Is that real?" Yep. That happened.\u201d— Ava DuVernay (@Ava DuVernay) 1439741968
\u201cI saw the cavalier way that women were treated in hip hop spaces early on. Window dressing at most. Disposable at worst. Yep, that happened.\u201d— Ava DuVernay (@Ava DuVernay) 1439742092
\u201cI was in the street during the Rodney King Uprising. After that unjust verdict. Feeling anger. And community. And fire. And love. Happened.\u201d— Ava DuVernay (@Ava DuVernay) 1439742258
\u201cI remember the truce. So when that shot of red and blue bandanas tied together flashed on screen? Wild applause in my theater. It happened.\u201d— Ava DuVernay (@Ava DuVernay) 1439742321
\u201cThe music of my youth and how it came to be and why it was what it was. We rapped along, clapped, laughed, cried. For all that has happened.\u201d— Ava DuVernay (@Ava DuVernay) 1439742438
\u201cHe captured the plight of the black artist in general, once consumed by systems and structures not made for them. The struggle is real.\u201d— Ava DuVernay (@Ava DuVernay) 1439742628
\u201cTo be a woman who loves hip hop at times is to be in love with your abuser. Because the music was and is that. And yet the culture is ours.\u201d— Ava DuVernay (@Ava DuVernay) 1439742781
\u201cFrom depictions of the origins of "Bye Felicia" to watching Cube bring his wife Kim to business meetings. That's hip hop. A curious thing.\u201d— Ava DuVernay (@Ava DuVernay) 1439742921
\u201cBut for all the terrific acting, solid production design, swoon-worthy cinematography and fab costumes + hair, one sequence brought a tear.\u201d— Ava DuVernay (@Ava DuVernay) 1439743071
\u201cI leaned forward in my seat and put my hands to my face and gasped. As did many around me. Someone shouted, "HELL YEAH!" This sequence...\u201d— Ava DuVernay (@Ava DuVernay) 1439743202
\u201cHundreds of black young people cruisin' down Crenshaw. The raw energy. The cars. The brothers and sisters. The majesty of it all. A tear.\u201d— Ava DuVernay (@Ava DuVernay) 1439743475
\u201cIt was maybe a one-minute sequence in the film but it all came rushing back. This film did that for me on multiple levels. It's fantastic.\u201d— Ava DuVernay (@Ava DuVernay) 1439743545